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Kodak Gallery

The Archive

A journal of pigment, paper, and the photographers we print for — edited quarterly from the workshop in Rochester, New York.

Master printer's hands holding a freshly printed archival photograph
The Current Issue · Lead Essay

On Pigment and Patience

Twelve inks, two hundred and forty minutes, one photograph — a working essay on the 12-color pigment process, fiber-based papers, and the unhurried craft behind every archival edition we hand-print in Rochester.

Read the lead essay
From the Journal

Recent Essays

Long-form notes on pigment process, conservation, photographer interviews, and the estate archives we represent — written for collectors, studios, and the printers who serve them.

Archival mat cutter trimming a museum-grade mat around a black-and-white print
Conservation

A 100-Year Argument for Fiber Paper

What Wilhelm Imaging Research's 2023 numbers actually say about pigment stability — and what they mean for collectors framing work today.

12 min read · By M. Halloran

Photo editor reviewing contact sheets pinned to a studio wall
Interview

The Editor's Hand: A Conversation with a Studio Photo Director

On approving color, choosing paper, and the slow correspondence between a brand's creative team and the printmaker who delivers the file.

21 min read · By J. Okafor

Framed archival print in a deep maple wood frame with museum glass
Framing Craft

Joinery, Spacers, and the Nine Master Framers of Rochester

A workshop visit with the team whose average tenure is twenty-two years — on the small decisions that keep a frame quiet for a century.

15 min read · By S. Reinhardt

Lucie Award trophy displayed beside a fine art photography book
Press

A Note on the 2023 Lucie Award for Outstanding Print Service

Acceptance remarks, the people we thanked, and the standard we now hold ourselves to for every hand-printed edition leaving the workshop.

8 min read · By the Editors

From a Represented Photographer
The first time I saw one of my negatives printed at the Rochester workshop, I realized how much of the photograph had been waiting — for the right paper, the right ink, and the right pair of hands to set it down. A print made with that kind of attention is the closest thing to the original looking-back.

— A. Mendelsohn, Documentary Photographer · Studio Client Since 2017

Estate Archives in Residence

Six estates, printed under exclusive license.

The journal regularly returns to the photographic estates whose archives we hold the print license for — long-running editorial features on provenance, scholarship, and the editions we are permitted to produce.

Layered window reflections rendered as translucent color planes
Estate Archive · Print Licensee Since 2020

The Saul Leiter Collection

Color, surface, and the painter's eye — an ongoing journal feature on the Leiter archive and the editions printed under our exclusive license.

Mid-century American documentary photograph of a child on a stoop
Estate Archive · Print Licensee Since 2021

A Third Estate, In Residence

A third represented archive — profiled quarterly — joins the Maier and Leiter features as part of the journal's standing editorial rotation.

From Reading to Owning

Step from the journal into the workshop.

The same pigment, paper, and patience described in these essays are available to you — as a limited-edition print, a custom-framed piece, or a studio licensing package reserved through the Rochester workshop.