A 100-Year Argument for Fiber Paper
What Wilhelm Imaging Research's 2023 numbers actually say about pigment stability — and what they mean for collectors framing work today.
A journal of pigment, paper, and the photographers we print for — edited quarterly from the workshop in Rochester, New York.
Twelve inks, two hundred and forty minutes, one photograph — a working essay on the 12-color pigment process, fiber-based papers, and the unhurried craft behind every archival edition we hand-print in Rochester.
Read the lead essayLong-form notes on pigment process, conservation, photographer interviews, and the estate archives we represent — written for collectors, studios, and the printers who serve them.
What Wilhelm Imaging Research's 2023 numbers actually say about pigment stability — and what they mean for collectors framing work today.
On approving color, choosing paper, and the slow correspondence between a brand's creative team and the printmaker who delivers the file.
A workshop visit with the team whose average tenure is twenty-two years — on the small decisions that keep a frame quiet for a century.
Acceptance remarks, the people we thanked, and the standard we now hold ourselves to for every hand-printed edition leaving the workshop.
The first time I saw one of my negatives printed at the Rochester workshop, I realized how much of the photograph had been waiting — for the right paper, the right ink, and the right pair of hands to set it down. A print made with that kind of attention is the closest thing to the original looking-back.
— A. Mendelsohn, Documentary Photographer · Studio Client Since 2017
The journal regularly returns to the photographic estates whose archives we hold the print license for — long-running editorial features on provenance, scholarship, and the editions we are permitted to produce.
A standing editorial feature on the Maier archive — the contact sheets, the undeveloped rolls, and the framed editions we hand-print for collectors and museums in editions capped at fifty.
Browse the Maier feature
Color, surface, and the painter's eye — an ongoing journal feature on the Leiter archive and the editions printed under our exclusive license.
A third represented archive — profiled quarterly — joins the Maier and Leiter features as part of the journal's standing editorial rotation.
The same pigment, paper, and patience described in these essays are available to you — as a limited-edition print, a custom-framed piece, or a studio licensing package reserved through the Rochester workshop.